One image per calendar day — and nothing is stored. Each piece is a pure function of its date: a seed plus a handful of numbers. Same day, same art, forever. Turn the knobs below.
Every panel grows from the same date seed. Switching marble → focal changes only the flow composition; cosine → reference changes only where colour comes from. Nothing else moves.
Flow + warp. Particles advect through a domain-warped value-noise field, drawn as glowing ribbons with log-density tone mapping — the source of the "designed chaos."
Palette. Either a cosine palette (the formula in §02) or colours sampled from a reference image, assigned with spatial clumping.
Composition. The date seed picks marble (edge-to-edge) or focal (a radial explosion with negative space), then a depth-layered overlay adds rings, dots and diamonds.
Selection. The engine renders many candidates and keeps the best, judged by a free heuristic or an optional learned aesthetic model. The winner becomes the day.